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Years
later we would get the Anne Rice novels. These were vampires a bit more removed
from the Lost Boys and Dracula. These vampires were tortured and miserable and
only stopped whining long enough to sake their thirst for blood before whining
all guilt tripped about living forever. But they were still monsters. Very
whiny, effeminate monsters, but still monsters. They were just as deserving of
death as their predecessors but sadly no one seemed to have the decency to put
them out of their misery in those novels.
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The
sexual tension between Buffy and Angel (a vampire who was good because he had a
soul) was the beginning of the end for vampires as monsters. Angel was a
monster, but he was a monster trying to atone for his monster past. He was
determined to be a hero and worked along side his “mortal enemy” for a chance
at redemption. And Buffy crushed on Angel hardcore. A vampire could now be
someone that you pursued not with the forbidden lust of the past, but with the
adolescent crush that everyone has experience at least once in their life.
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These vampires scare me for a different reason |
And
it is because of Buffy that we now have True Blood, The Vampire Diaries, and
yes, Twilight. Twilight is essentially Buffy without everything that makes
Buffy cool. If Buffy had never been a slayer, she probably would have been like
Bella in Twilight. Vampires aren’t even monsters that need to stay out of
sunlight. They don’t burn, they sparkle. Nothing about the Twilight vampires
are threatening. Even the werewolves in those films are cute and fluffy.
There
have been brief attempts to return vampires to their monster roots, From Dusk ‘Til
Dawn and 30 Days of Night being good examples, but sadly those films did not
succeed critically or financially. It seems that the world prefers the defanged
and love interest vampires to the blood lusting and scary vampires. I fear the
vampire as monster has been staked and burnt away in the sunlight, to never be resurrected.
There was "a bit" of sexual tension? Just a bit?!
ReplyDeleteI see where you're coming from, but it was a logical progression. Actually if you think about it, Twilight has a lot of the themes that were essential to Dracula (and I just threw up in my mouth a little..). But seriously: Dracula was all about the prudishness of the Victorian era, the virtue/temptation of women, a woman's worth as defined by her purity, etc. Dracula wasn't just a monster; he was an exotic - and seductive - nobleman.
Stephanie Meyers just gave a modern update to the "sexual predator tempts virginal female" trope.
..I can't believe I just defended Twilight.