Monday, November 24, 2014

6 Movies with Negative Messages

1.)  Wreck-It-Ralph “Don’t question your role in life”
The movie Wreck-It-Ralph takes place in the world of a video game arcade. Apparently when all the customers leave for the day, the characters leave their games and mingle with each other. One such character is the titular Wreck-It-Ralph, who is the villain of a game called Fix-It-Felix Jr., kind of like a Donkey Kong style game. Ralph destroys the building and terrorizes the inhabitants and Felix has to fix everything and defeat him. Now this game is supposed to be very old so Ralph has been a villain for a long time. And he’s tired of it. So the story revolves around Ralph going on various adventures and making new friends as he tries to prove he is more than just a villain. But ultimately at the end of the movie, HE IS JUST A VILLIAN. The entire movie where Ralph is trying to be more than who he is gets completely negated. Ralph is a villain, he’ll always be a villain, his entire game doesn’t work without him being the villain. Essentially this movie has the complete opposite message of another Disney classic, Aladdin. In Aladdin, Al is trying to get people to see that he is more than just a street rat. If he were in Ralph’s movie, he’d still be a street rat by the end of it. He’d just be a popular street rat.

2.)  The Wizard/Rainman “It’s okay to take advantage of the mentally disabled”
There seems to be a trend in Hollywood (certainly in the 80s and 90s) where it is perfectly acceptable for people to take advantage of the mentally handicapped. Particularly if you are related to said mentally handicapped child. Both The Wizard and Rainman involve a man (or boy in the case of the Wizard) going on an adventure where they drag along their mentally handicapped yet genius savant brother/half-brother along where said brother uses their unique handicap to the benefit of the nonhandicapped brother. In Rainman it is winning big in Vegas. In The Wizard it is hustling at video games and eventually win a national video game tournament. While both films have the pair of brothers growing closer on their journey, it still starts out with a brother using the unique impaired mind of their sibling for their own gain. The only thing that makes this act forgivable is the eventual resolution of the films, which the characters have no knowledge of at the beginning of the film. For all intents and purposes, these people were content to simply use their siblings for their own gain and possibly ditch them as soon as they no longer became useful and were instead burdensome.

3.)  Jobs “You can be an asshole as long as you’re brilliant”
How accurate the film Jobs is as a biography of the late Apple Computers founder and CEO Steve Jobs has been debated by friends and critics of the man alike. But as far as the film is concerned, the main message of the films seems to be that Steve Jobs was a bit of a dick. But that didn’t matter, because he was such an artistic genius and forward thinker, he could be a dick. He could screw over his friends and destroy his company’s property, but as long as he spouted some words of wisdom, all is forgiven. This is a terrible message simply because we now live in an age where

4.)  Ferris Bueller’s Day Off “Skipping school is fine if you’re a person of privilige.”
Education is supposed to be the corner stone to a bright future. Unless you’re rich and charming in which case don’t bother with school and just enjoy life. That seems to be the ultimate message of Ferris Bueller’s Day Off. Ferris has been blessed with caring parents, a hot girlfriend, and the ability to just make everyone like him (except for his principal and his sister, and even she likes him by the end of the film).

5.)  Blade Runner “You can kill sentient life forms as long as they’re not human.”
Humans have very little respect for things that are not humans throughout the history of science fiction. Even the aliens we do get along with usually have to look humanish or we consider them an enemy. But the truth is humans really only trust other red blooded humans. No movie shows this more than Blade Runner. Although I have never read Do Androids Dream of Electric Sheep (the story the movie is based on) I doubt the story strays much from the idea that artificially created life is not the same as biologically birthed life. The Replicants in Blade Runner are so similar to humans the only way to tell them apart from normal humans is to interrogate them with a series of questions looking for emotions (something they lack due to a lack of memories, or dreams, you know what watch the movie, I can’t explain it all here). But despite being almost exactly like humans, you can hunt a replicant down and kill it with very little social stigma. In fact that’s what our main character, Decker, does for a living. He hunts down replicants. And not delicately. One of the replicants he guns down in the middle of the street. Now some of the replicants seem to be violent and should be killed, or at the very least arrested, but the one he a kills in the street was working as a stripper. She, as far as Decker knew, was just earning a living. But she’s not human so that means her life is forfeit.

6.)  The Matrix “If they’re not with us, they’re against us”

The Matrix almost takes the Blade Runner logic to a more violent extreme. In the world of the Matrix, all of humanity is plugged into giant battery towers with their minds existing in a virtual world (aka The Matrix). A small percentage of people have been unplugged from the Matrix and are trying to fight the malicious programs (Agents) that are oppressing the still plugged in citizenry. But here’s the thing, Morpheus straight up says that anyone who is still plugged into the system is a potential enemy. So even though the unplugged humans are trying to fight to free their fellow humans (or not as demonstrated in this blog entry) they will still gun down enemy humans by the dozens. Enemy humans who are completely ignorant of this fight between unplugged human and programs. These unplugged humans are killing the humans they are supposed to be fighting to save. It does seem to imply a disturbing caste system that the unplugged humans’ lives are more valuable than the plugged humans. Essentially if someone is not a member of your particular group then they are fair game to murder.

Monday, November 3, 2014

Vampires are Monsters!

This has been a longtime complaint of mine (see here and here and a bunch more). At some point in fiction vampires stopped being considered monsters. There was a tortured romantic that replaced the idea of the murderous bloodsucker that pop culture just didn’t want to let go. And then I saw the TV show The Strain on FX and I had hope once again. These vampires didn’t sparkle, didn’t lament their existence, and they certainly didn’t date. They were straight up murderous blood drinkers. Once again the vampire was being portrayed as a monster.

If you’re not familiar with The Strain, it is an adaptation of a book series by Guillermo Del Toro. Yes, he of Hellboy, Pacific Rim, and Pan’s Labyrinth fame. And he also directed the movie Blade II, the sequel to the popular Wesley Snipes film. Blade II shows the seeds of what will eventually become the Strain vampires. Pale skin, gaping mouths and long blood sucking tongues, all aspects that were enhanced even further for The Strain. There is no way a teen girl could fall in love with these creatures. Nor could these creatures fall in love either. Their only concern in life is to feed and kill.

Though I can’t really be too angry at all the interpretations of vampires as tortured loners. The most popular piece of vampire literature, Dracula, certainly has many of those elements in its pages. Dracula is a sadly lonely loser just trying to mend his broken heart with a woman who resembles his long dead wife. Granted there is a lot of murder and blood drinking along with his quest for romance, but still at the heart of the story Dracula is a romantic tale. So I can’t really get mad at a Stephanie Meyer when she has a young Bella fall in love with hundred year old Edward. Though I will never forgive her for the sparking (VAMPIRES DON’T SPARKLE!)

And it seems the idea of returning the vampire to monster status is becoming a more common occurrence in Hollywood. The marketing for the new Universal picture Dracula Untold is filled with references to him being a monster. Dracula became a vampire because as he says “Men do not fear swords, they fear monsters.” So even though Dracula is the hero of the tale, the scarier aspects of Dracula will be emphasized. The blood drinking, the turning into a bat, the scarier aspect of the Dracula story. (I am writing this before I have seen the movie so don’t be surprised if after I post this I post another article screaming and bitching like a maniac because Dracula starts to sparkle).

The desire to make monsters likeable has always eluded me. The purposed of monsters is to show creatures that ARE NOT LIKEABLE. When a movie comes out in which a zombie falls in love (see my review of Warm Bodies here) there truly has been a jumping of the shark for monsters. Being a werewolf is a curse. Being a vampire is a curse. Being a zombie is a… viral outbreak that will end mankind. Nothing romantic about any of them. I picture the Creature from the Black Lagoon and instead of thinking this is a terrifying creature I’m wondering how someone could make out with that (by the way if Universal wanted to make a romantic Black Lagoon movie I would happily pitch them my take on it).

When you read the paper and watch the news you can almost argue “why do we need fictitious monsters?” There is certainly no end to the atrocities committed by normal real life humans. The problem is, the only way humanity can join together is if it is attacked by an external force. It has been written in plenty of stories, the only time humans get together is when something threatens them. We need monsters to give something to focus on. The “enemy” needs to be some inhuman other that we can look towards. When all we see are other humans then we have to make the humans the committers of atrocities and that just causes us to be more and more suspicious of our fellow man.


As a horror fan, I have great respect for the movie monster. The classic creatures of film are a part of cinematic history. And the vampire is a prominent figure in that group. But every time a movie or TV show comes out with a vampire romance story, the idea of the iconic bloodsucker gets a little more watered down. It seemed fitting that the Twilight vampires didn’t have fangs since that series has done the most to completely take out the teeth of the vampire genre. Ironically it is The Strain vampires, who have no teeth at all, that will give the vampire back its fangs.